Inside Installations : theory and practice in the care of complex artworks
TitelInside Installations : theory and practice in the care of complex artworks
Verantwoordelijkheids-vermeldingedited by Tatja Scholte and Glenn Wharton
Verantwoordelijke(n)
Corporatieve auteur
Plaats van uitgave[Amsterdam]
UitgeverAmsterdam University Press
Jaar van uitgavecop. 2011
Pagina's266 pagina's
Illustratiesillustraties
Formaat28 cm
MateriaalDigitale publicatie ; boek
ISBN9789089642882
SamenvattingAnything is possible in installation art. The typically short lifespan of the materials and techniques used and the intended experience can be endless, often to the despair of the custodian of the work. The processes involved in preserving this complex form of art, reinstalling it, finding ways to recreate the experience over and again, as well as the decisionmaking that underlies these processes, form the backbone of this book.
What did the artist originally intend and how has that concept been realised in the past? How can one preserve and document the installation? What relation exists between the components and the space, and what is the spectator’s
part in the work? Questions of this kind are examined in connection with a number of case studies. At the same time, it reports on the results of an extensive research project Inside Installations (2004-2007) carried out by an international group of custodians active in the conservation of contemporary art.
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Foreword, Janneke Ottens ; Introduction, Tatja Scholte ; The Lifespan of Installation Art, Monika Jadzińska ; Quote from a curator ; Vulnerabilities and Contingencies in the Conservation of Time-based Media Works of Art, Pip Laurenson ; Fabrizio Plessi’s Liquid Time II at ZKM | Center for Art and Media: (PART I) The Ravages of (Run)time - Maintenance of Electronic Hardware During Long-term Presentation, Thomas Zirlewagen ; Fabrizio Plessi’s Liquid Time II at ZKM | Center for Art and Media: (PART II) Technical Options and Limitations for an Authentic Reinstallation, Fenna Yola Tykwer ;
Don’t Believe I’m an Amazon The Preservation of Video Inst all ations Based on Perfo rmance Art, Martina Pfenninger and Agathe Jarczyk ; How Material Is Conceptual Art? From Certificate to Materialization: Installation Practices of Joseph Kosuth’s Glass (one and three), Sanneke Stigter ; To Emulate or Not Conservation Case Studies from the Netherlands, Gaby Wijers ; Installation Art Subjected to Risk Assessment – Jeffrey Shaw’s Revolution as Case Study, Agnes W. Brokerhof,
Tatja Scholte, Bart Ankersmit, Gaby Wijers, Simone Vermaat ; The Artist Is Involved! Documenting Complex Works of Art in Cooperation with the Artist , Frederika Huys ; Shaping the Legacy of Krzysztof M. Bednarski: A Model for Artist / Conservator / Curator Collaboration, Iwona Szmelter ; Updating Knowledge in Conservation Criteria. Circle Puppets Case Study, Arianne Vanrell Vellosillo ; Who’s Right – the Artist or the Conservator? Barbara Sommermeyer ; Documentation of Change – Change of Documentation, Gunnar Heydenreich ; Visualization and Documentation of Installation Art, 173
Ulrike Baumgart ; Coordinates and Plans: Geodetic Measurement of Room Installations. Methods and Experience Gained at the Pinakothek der Moderne, Munich, Maike Grün ; Light - a Hybrid Medium: Suggestions for the Documentation
and Preservation of Artworks Based on Light Technology, Franziska Wagner ; Between Ephemeral and Material – Documentation and Preservation of Technology-Based Works of Art, Reinhard Bek ; “My workisn’t ephemeral, it’s precarious” Discussion of a ‘Conservation’ Strategy for Doppelgarage by Thomas Hirschhorn, Maike Grün ; Remaking Artworks: Realized Concept versus Unique Artwork, Kerstin Luber and Barbara Sommermeyer ; Acknowledging Differences: a Manifold of Museum Practices, Vivian van Saaze
What did the artist originally intend and how has that concept been realised in the past? How can one preserve and document the installation? What relation exists between the components and the space, and what is the spectator’s
part in the work? Questions of this kind are examined in connection with a number of case studies. At the same time, it reports on the results of an extensive research project Inside Installations (2004-2007) carried out by an international group of custodians active in the conservation of contemporary art.
---
Foreword, Janneke Ottens ; Introduction, Tatja Scholte ; The Lifespan of Installation Art, Monika Jadzińska ; Quote from a curator ; Vulnerabilities and Contingencies in the Conservation of Time-based Media Works of Art, Pip Laurenson ; Fabrizio Plessi’s Liquid Time II at ZKM | Center for Art and Media: (PART I) The Ravages of (Run)time - Maintenance of Electronic Hardware During Long-term Presentation, Thomas Zirlewagen ; Fabrizio Plessi’s Liquid Time II at ZKM | Center for Art and Media: (PART II) Technical Options and Limitations for an Authentic Reinstallation, Fenna Yola Tykwer ;
Don’t Believe I’m an Amazon The Preservation of Video Inst all ations Based on Perfo rmance Art, Martina Pfenninger and Agathe Jarczyk ; How Material Is Conceptual Art? From Certificate to Materialization: Installation Practices of Joseph Kosuth’s Glass (one and three), Sanneke Stigter ; To Emulate or Not Conservation Case Studies from the Netherlands, Gaby Wijers ; Installation Art Subjected to Risk Assessment – Jeffrey Shaw’s Revolution as Case Study, Agnes W. Brokerhof,
Tatja Scholte, Bart Ankersmit, Gaby Wijers, Simone Vermaat ; The Artist Is Involved! Documenting Complex Works of Art in Cooperation with the Artist , Frederika Huys ; Shaping the Legacy of Krzysztof M. Bednarski: A Model for Artist / Conservator / Curator Collaboration, Iwona Szmelter ; Updating Knowledge in Conservation Criteria. Circle Puppets Case Study, Arianne Vanrell Vellosillo ; Who’s Right – the Artist or the Conservator? Barbara Sommermeyer ; Documentation of Change – Change of Documentation, Gunnar Heydenreich ; Visualization and Documentation of Installation Art, 173
Ulrike Baumgart ; Coordinates and Plans: Geodetic Measurement of Room Installations. Methods and Experience Gained at the Pinakothek der Moderne, Munich, Maike Grün ; Light - a Hybrid Medium: Suggestions for the Documentation
and Preservation of Artworks Based on Light Technology, Franziska Wagner ; Between Ephemeral and Material – Documentation and Preservation of Technology-Based Works of Art, Reinhard Bek ; “My workisn’t ephemeral, it’s precarious” Discussion of a ‘Conservation’ Strategy for Doppelgarage by Thomas Hirschhorn, Maike Grün ; Remaking Artworks: Realized Concept versus Unique Artwork, Kerstin Luber and Barbara Sommermeyer ; Acknowledging Differences: a Manifold of Museum Practices, Vivian van Saaze
AnnotatieBook reports on the results of an extensive research project 'Inside Installations : preservation and presentation of installation art' (2004-2007)
Met lit. opg
Ook digitaal beschikbaar: http://issuu.com/incca/docs/inside_installations_theory_and_pra
Met lit. opg
Ook digitaal beschikbaar: http://issuu.com/incca/docs/inside_installations_theory_and_pra
Trefwoordeninstallatiekunst, multimediawerken, videokunst, conservering, kunstenaarsintentie, kunstenaarsinterviews
| Exemplaarnummer | Plaatscode | Uitleencategorie | Filiaal | Uitleenstatus |
|---|---|---|---|---|
| 10308744 | 7.036 Scho | boek | Amersfoort | beschikbaar |
| 10301223 | 21.99 Sch | boek | Amersfoort | beschikbaar |
| Exemplaarnummer | 10308744 |
| Plaatscode | 7.036 Scho |
| Uitleencategorie | boek |
| Filiaal | Amersfoort |
| Uitleenstatus | beschikbaar |
| Exemplaarnummer | 10301223 |
| Plaatscode | 21.99 Sch |
| Uitleencategorie | boek |
| Filiaal | Amersfoort |
| Uitleenstatus | beschikbaar |